Episode Transcript
[00:00:00] Speaker A: Um, yeah, but.
Yeah, but Cinco. Yeah, we got you see, no peru tambing a willie to Johan with yeah, but technology and Alicia to me what is upon, you know.
[00:00:51] Speaker B: Yeah, baby.
[00:00:59] Speaker A: Shows. But now you sing Nikon.
Hey quote, to jump right into it's.
[00:01:46] Speaker C: A difficult thing to jump right into it's a difficult thing to jump right into.
The cross side bartender looks like a cartoon turtle and you struggle with how to imbue the cross side bartender looks like a cartoon turtle, and you struggle with how to imbue said observation with the respect a person deserves. The bartender's voice, the voice directed at you with soft and implication of fur, seems like a confession. When that voice arrives, this accent frequently codes to you as apologetic. The bartender brings you a pint, announces the beverage, and what you hear is a turtle apologizing for its rabbit voice. What tremendous sincerity. Your phone went off on the airplane earlier that day. The plane was idling on the tarmac when I called, and you did not answer because you respect public privacy. And Iwa left a little list via voice message. The flight attendant had a very large bun tightly wound atop her head. She was very short, with a gymnast shoulders and a smile of tiny teeth. And her eyes were stunning, hazel, sparkling, a pastel orange light beaming through the small windows of foyalty to the cruelty and her mannerisms. And she panned to mind the appropriate reactions to calamity. A perverse pride escaping the successful completion of the reenactment. It was in that pride you found. The cruelty of a tight spine. And later she would put a hand on your shoulder rather forcefully to keep you seated. You needed to pee, but the plane was for land. And you wonder, is this a question of controlling liabilities or creating a sense of control more generally? And the answer you see comes in the pre coded enforceability. You struggle here because whenever you realize.
[00:03:08] Speaker D: You'Re caught up in a deal decided despite you, you find respite in making.
[00:03:12] Speaker C: A lick of the whole.
[00:03:14] Speaker E: Instead of x x plus x y leading to zero by adding the hack, which is a mark that has ability to expand the meaning of anything. Following it, we have that. Hacked x plus x Y leads to zero.
Now, the hacked female never becomes the zero, the cipher. And when that happens, the equation of sexual desire transfigured despite you finding. So then the equation of sexual desire transfigures at zero plus x y, leading to zero. A composite that can be rearranged again. Let's see if I have it here. No, I don't have it here yet.
Just take my word for it. Because this PowerPoint just quit on me.
Okay? Sorry.
Zero leading to zero minus x y. Or even better, x Y leads to zero minus zero. That is the hex x sexual female and native body disappears with the father. But I want to show you that. Come on, help me.
[00:04:15] Speaker C: You struggle here because whenever you realize.
[00:04:17] Speaker D: You'Re caught up in a deal decided despite you, you find respite in making.
[00:04:20] Speaker B: A look at the whole Claire. But that's unfair.
[00:04:23] Speaker C: You struggle here because whenever you realize.
[00:04:25] Speaker D: You'Re caught up in a deal decided despite you, you find respite in making.
[00:04:28] Speaker B: A look at the whole Claire. But that's unfair.
[00:04:32] Speaker C: You struggle here because whenever you realize.
[00:04:33] Speaker D: You'Re caught up in a deal, decide to spite you. You find respite in making a look.
[00:04:37] Speaker B: At the whole affair. But that's unfair.
[00:04:40] Speaker C: You struggle here because whenever you realize.
[00:04:42] Speaker D: You'Re caught up in a deal decided despite you, you find respite in making.
[00:04:45] Speaker B: A lick of the whole affair. But that's unfair.
Photovied even though the hell that you needed.
[00:05:14] Speaker A: It was easy to.
[00:05:34] Speaker B: See.
It was easy to see it was easy to see it was easy to see go ahead, make a little lick of this whole damn effect holding it was easy when they cut that day was easy see open mind go ahead, make a little lick of this.
[00:06:20] Speaker A: Easy.
[00:06:21] Speaker B: Sweating down the cut that you don't got no time to care go ahead and make a little lick of this whole fair go ahead, make a little lick of this whole damn affair go ahead and make a little lick of this whole affair it wasn't there when they cut that deal so you don't got no time to care go ahead and make a little lick of this whole affair go ahead, make a little lick of this whole damn affair go ahead and make a little lick of.
[00:07:24] Speaker A: This with any rose not the protector Logan among shivam yeah, pantama.
She could breathe my dream but I forgot I the television but it put alone tour put alone tell yah having causes.
[00:08:51] Speaker B: That's for sure. You know how to keep it cool capital. That's for sure. You know how to keep riding around with you last day.
[00:09:10] Speaker A: In the I.
[00:09:37] Speaker B: Can see clear for some time I.
[00:09:45] Speaker A: See or in DSA before I watching and I nas you but you can read the mooch with Andreas. I know mooch.
[00:10:23] Speaker B: I've been caught with you know how you know how to keep everyone with you.
[00:10:42] Speaker A: Be do in the end of so intellectual man tell me.
[00:11:08] Speaker B: That clearly.
[00:11:09] Speaker A: No, do not.
[00:11:13] Speaker B: Clearly know.
[00:11:14] Speaker A: Michelle Ashley la Nomad seemed to come.
[00:11:19] Speaker B: In for some time I was sitting alone on that plane, watching it as it took shape.
[00:11:53] Speaker E: Coming out or before. It's a kind of reading, which is at once an imaging, in Benjamin's sense, of the work done by the dialectical image and the composition as a description of the creator's act. But it is done through decomposition of elements in the sense that the term has in chemistry. My decomposition of the art of form of the subject involves three moves, a translation, which is the first crucial move, which is basically the use of symbols of math and biology, a transposition. So once my torms became biological symbols, I can then place them in an algorithm, which is basically most of what I do, moving them from one class place to another in that formula.
And so primarily a performance. And in this performance, a few simple mathematical signs allow me to explode the articulum of the subject through a series of transformations. So, relying on the meanings.
[00:13:04] Speaker B: We thought that you gave you. So.
Ticket came back cheap that ticket came back cheap it held it down for Keith I told you better get it get him take he came back g told him back g told him has his what you?
He said it's upstate.
Me.
[00:15:26] Speaker A: You.
[00:15:26] Speaker B: I understand. I understand.
Body wouldn't build for them if I built for the sea where it shake even knee unsteady I'm steady shake even steady, steady where it's shaky beneath I left you alone and now you punish me I understand spotty wonderful spidey built for the sea but it's shaky beneath unsteady unsteady hold on those hands shape just take drag me onto the land I'm just regret shit with both hands it take me drag me onto the mountain see tie you live, see how you live I bring you this joke bring you this joy stay out my jaw stay out my jaw I bring you this job I bring you this job hold on the boy I told him I had a bathroom one night too.
Ocean of the new enlighten the view three 6 January spice how to guide and they help me from on they kept me from trying to say scared I told them I eat you said I you I said copped it like it's free don't know how to catch it stillness runs from me took stories to new places painted ponce and foreign faces was for half financial doc which souls was too complacent blessed with afforded glory ruins built just for me this body made of money the dope got us transforming juniper body she was calling one of my favorite tired horses kept us steady past them canyons she embraced us while we was touring the cop had creeped us slow determined to take my dough denied it all in Ohio I could feel in that moment with salt the dope got us transformed the ruins built just for me Arizona motor with my baby is so cozy good dog. Got us transform new ruins built just for me Arizona motor with my baby is so cozy it's so cozy without us transform new ruins built just for me Arizona motor with my baby is so cozy.
[00:20:53] Speaker A: With meditation.
No, you're looking at these one.
She go on local now we very much among shiva.
Yeah, but she could bring my dream.
Umchi the television area won't have your heart, no. Yeah, went through eyes.
It was a leah in the past and she put the proceed.
You cannot get no color age, no kids.
You give me a nap something reverse to the fire just like a.
I.
[00:23:53] Speaker B: Told her.
[00:23:57] Speaker A: She has to say give me a name something first to the feet. Find that just like a toy can see it to the fire feelings.
Yeah, they up, yeah.
From your narrative one budget to cricket and yeah. Just say give me.
This is the one. You have one here.
There was a beginning until it.
[00:25:41] Speaker B: Give me.
[00:25:45] Speaker A: So much reality.
[00:25:47] Speaker B: Give me.
[00:25:52] Speaker A: Give me Shivi and see out of flight milk and she ought to be mama just.
I mean, give me yellow ram.
See, I forgot, you see I'm. Give me Maria Monte Wasima.
Yeah.
[00:26:51] Speaker B: Jesus.
[00:27:01] Speaker A: Lapuia moment and does it well.
It's a secret aloe pepper six in a material.
The sam is here. No pivotal, no. So don't cast a mobile get together.
Well.
Also aro top is the single montana I gracia the office no more navi no emo pasa la milky Johnny.
But you know, Calgary and your sierra there was gracia. The end of the French is yeah. Want to say it does it so far and you want it even because equal take a mother always America took it and the human authority levy so yeah.
[00:29:44] Speaker B: Adam.
[00:29:47] Speaker A: Swelling Paracasigira to be and your comment? Shall we?
Lavida tugana windakotumbra solida solo.
